Trigger warning: mention of suicide There’s a funny sort of paradox about depression where it’s probably the mental illness that people who haven’t experienced mental illness find easiest to identify with while simultaneously being a condition that is incredibly difficult to understand if you’ve never lived through it. I mean, I get it. We’ve all […]
I’ve been trying to write some kind of review on Stranger Things for a while now, but every time I sit down to do it, I find I just don’t have the energy.
So here goes. Really gonna try this time. Definitely gonna contain plot spoilers. This is probably best read after you’ve seen all eight episodes.
There’s about a million reviews on Stranger Things out there, the vast majority of them are full of positive hype, much of which the show deserves. If you like a nostalgic retro-feel 1980s homage, this is your jam. It’s Super 8 meets Stand by Me meets ET meets The Goonies, complete with an awesome soundtrack, solid casting, and an engaging (albeit not terribly original) plot. And it’s creepy. I’ve been craving a creepy show, and it’s been hard to find one that isn’t one rung down from torture porn (Hemlock Grove, what a crushing disappointment).
Stranger Things has some major shortcomings that made it cringingly hard to watch at times. As happens with most things I watch/read, at one point I said aloud, “If they kill Barb, I’m gonna stop watching this.” Obviously I didn’t. :P But that I found myself saying that at all points to ST‘s first major weakness: predictability.
ST is at its heart a reverential throwback, playing on all manner of (especially Spielberg-esque) 1980s movie tropes, which as The Atlantic‘s Lenika Cruz points out, is both good and bad. The nostalgic ambience makes for an immersive environment, on the one hand. But on the other, the temptation to fall back on, er, other historically relevant tropes certainly makes the show less relatable for some of us.
I wasn’t upset that they killed Barb because I believe characters should never be expendable. Rather because from the moment she appeared on screen, she is immediately recognizable as precisely the kind of character deemed expendable in 80s cinema, as well as the present: nerdy, not conventionally attractive, peripheral, marginal. All things that I (and many other people who don’t generally see themselves represented in media) can connect with. And all things that, in combination with being feminine, female-bodied, and/or a woman, can be lethal for a character. The giveaway for me was the short hair. “This girl’s a goner,” I thought. Man, I hate being right.
It isn’t merely that characters like Barb are pathetic tagalongs, tripping up the much more glamorous adventures of their more conventionally attractive (in all its senses) counterparts– in this case, Nancy. And it isn’t that they rarely-if-ever are the hero protagonists. It’s that they have to die. In Barb’s case, a gruesome on-screen death. “Unnecessary” doesn’t begin to describe it. The creators, the Duffer Brothers, felt the need to dismember Barb and then later show us her rotting body to reinforce this violence.
“But but but,” I can hear the refutations of the DnD ST fandom begin, “the four heroes of the story are nerdy, not conventionally attractive, marginalized characters. They’re always getting beat up by bullies, their only ally at school is the science teacher.” That’s wonderful. I’m glad the nerds/misfits/outcasts get to be heroes for once (except that this is arguably another 80s trope– à la Goonies, Weird Science, Bill & Ted). But all those heroes have something in common: they’re (cis)boys. Barb can’t be a hero, or even a hero tagalong, and in fact it’s okay to disembowel her– ’cause she’s a girl. It’s pretty straightforward misogyny, really.
“But but but,” another refutation may start, “what do you call Eleven, if not a hero? And she’s a girl.” Sadly, the most interesting character in the story becomes a martyr for the boy-heroes, but not before they play out their heteronormative fantasies playing dress-up doll with her. Cruz’s review is a very solid description of ST‘s failures when it comes to El’s plotline, so I won’t reiterate them here.
I suppose some might try to raise Nancy as a girl-hero, but whatever character growth she accomplishes is certainly dampened by her choice to stick with her abusive boyfriend. To be fair, her alternate love interest is also her stalker at one point, so…
At the end of the day, it’s the Duffer Brothers who mold the girl/feminine/female-bodied characters on the show and choose their fate. The Duffer Brothers play out their fantasies (and the fantasies of countless [especially nerd] boys) in ST, through boy and girl characters alike– oh, and it is really that binary. Friendships, adventures, romances, and heroism all revolve around the boy characters.
I had other issues with ST, including the treatment of madness, single motherhood, and the show’s overwhelming whiteness. It’s not perfect, but Stranger Things is entertaining, and a wonderful fantasy, especially if you’re a cishet boy. Who knows, maybe Season Two will have something for the rest of us.
Read this piece on the Dakota Access Pipeline and Native protests against it.
Dakota Access, LLC has declared war on my people — Native People — by attempting to snake an unwanted pipeline through Native land, drinking water and sacred sites. Today, this corporate force confronted peaceful Water Protecters with vicious dogs and pepper spray.
This is where we are now.
At least six Water Protectors were bitten by corporate attack dogs. Witnesses described some of the injuries incurred as “serious.” Dozens of protesters were treated for pepper spray exposure, and a horse was reportedly wounded in the attack.
But corporate violence was unable to beat back the gathering Water Protectors, and construction of the Dakota Access Pipeline was once again brought to a halt.
Your awareness raising has been crucial and will continue to be. We are slowly, collectively forcing the mainstream media’s hand, and visibility is so key in this profound and dangerous moment. Please keep helping in whatever ways you can. I truly believe that this battle has the potential…
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The True Cost: A Review.
Industrialized clothing production has always been problematic, but those problems have become intensified and have much more far-reaching consequences in recent decades. This is due in large part to a phenomenon known as “fast fashion.” In the not-so-distant past, the fashion world had two, at most three “seasons” of new clothing. However, global capitalist markets and industrialization have sped up production, shipping, and other processes that bring new styles to market, so much so that new fashions can hit shelves practically weekly. Hence, “fast fashion,” which encourages consumers to treat clothing as disposable.
The True Cost (2015) is an exploration of the causes and consequences of fast fashion in particular, and global capitalism in general. The film’s creators journeyed from Texas to the UK, from Bangladesh to Cambodia, from China to Haiti, and other places around the world. The film features interviews with experts from a multitude of fields, including ecofeminist Vandana Shiva, Free Market Institute director Benjamin Powell, physician Pritpal Singh, and animal rights activist and fashion designer Stella McCartney.
Perhaps most importantly, the film prominently features individuals struggling against the systemic problems associated with global capitalism in their own niches. Though they may be less famous in Western contexts, their stories are no less important. They help to shed light on the day-to-day consequences of the capitalist system, the ways in which seemingly disparate sectors are intrinsically connected within this system, and what individuals can do about it. Bangladeshi union leader Shima Akhter, American organic cotton farmer LaRhea Pepper, and Cambodian parliamentarian Mu Sochua are among these voices.
The True Cost takes a wide-lens view of the garment industry and the various economic pockets tied to it. I’ll discuss a few of the major themes that are the focus of this film here.
The huge growth seen in the fashion industry would not be possible without accompanying intensive industrialization of agriculture. As infrequently as we ponder the impact on garment workers as we shop for clothes, much less frequently do we think about farmers, who are one more step ‘removed’ from the final product. These industries appear disconnected to most of us, yet our constant consumption of “disposable clothing” would not be possible without industrialized agriculture. The industrialization of agriculture includes the mass use of herbicides, pesticides, and other agrochemicals that are not only dangerous for the natural world but also to human beings.
When her husband died of brain cancer, Texan LaRhea Pepper realized that organic farming isn’t just important, it is “imperative.” While she doesn’t have “a smoking gun” that directly connects the agrochemicals used on the farms surrounding her community to the many farmers she personally knows who have died from cancer, she has more than enough evidence to know that there is a dire need for organic farming techniques. She echoes ecofeminist Vandana Shiva’s sentiment that nature is the original economy, and when the land and waters suffers, humans suffer. Pepper says that we must “respect the life that’s in the land,” a lesson passed down to her in her farming family.
For farmers around the world, ‘modern’ agricultural products and techniques are tempting, despite the harm they can do to people and the environment. Yet it is a hard trap to escape from once signed onto, especially for farmers in “developing” countries, such as India. GMO cotton and other patented seeds have proven to be “ecological narcotics,” as Shiva calls them, because they require ever more chemicals (e.g. pesticides) to maintain their productivity. This in turn creates a dependency on GMO-patenting companies like Monsanto—which are the same companies producing agricultural chemicals. Even more disturbingly, Shiva asserts that the corporations selling carcinogenic farming chemicals are also investing in the development of cancer treatments and pharmaceuticals. In other words, these corporations benefit from causing, as well as treating, human ailments. It is easy to see that there is little incentive for this system to change itself, particularly when it prioritizes profit over human well-being.
We think of propaganda “as a foreign thing,” says Mark Miller, professor of media studies at NYU, “but it’s actually as American as apple pie.” Advertising is essentially a form of propaganda that encourages us to buy stuff. Psychologist Tim Kasser has found that increases in materialistic values are associated with increases in anxiety and depression. After reviewing research on marketing, this is perhaps a predictable outcome of advertising that is designed to makes us feel insecure, incomplete, and incompetent—problems that can be ‘solved’ through the constant consumption of new products. Modern day marketing has become the art and science of what 19th century advertising copywriter Samuel Strausser called “consumptionism.” Miller explains that the logic of consumerism wants people “to treat the things we use as the things we use up.” This model is plainly unsustainable, but as economist Richard Wolff points out, American capitalism is treated as above criticism, regularly getting “a free pass” on its dysfunction.
Most of the waste we produce is non-biodegradable. In recent decades, a growing proportion of that waste is clothing. Increasingly, people think of fashion “as a disposable product,” according to journalist and True Cost producer Lucy Siegle. Many of us try to be more conscious of this, and believe we are doing good when we donate clothing to charity. But the “journey of a t-shirt donated to charity is unpalatable in itself,” says fashion designer Orsola de Castro. For example, almost 90% of the clothing we donate to local charities actually gets shipped to “developing” countries, such as Haiti. The unintended consequence of this is that it puts Haitian clothing manufacturers out of business, so there is less home-grown business and less local capital.
Consumer Capitalism as a Worldview
The True Cost creators interviewed Kate Ball-Young, a former sourcing manager for retail chain Joe Fresh, and in many ways her worldview neatly encapsulates the abstracted beliefs about globalization and capitalism held by most Americans today. Of garment factory workers, Ball-Young asserts that “they could be doing something much worse,” like coal-mining or something. She clearly has no idea just how hazardous garment manufacturing in countries like Cambodia, China, and Bangladesh truly is, both in the short and long-term. “There’s nothing intrinsically dangerous with selling clothes,” she says with a laugh. Perhaps that is true, but she appears to be disconnecting her own work from the very industry that provides her with a source of income in the first place. Ball-Young is emblematic of a Western mindset that as long as we can’t see where a thing came from, then we don’t need to ask hard ethical questions of ourselves, even when we sell or consume that thing.
For me, one of the most serious problems with this mindset is that we are not just cultivating an ignorance of where things come from, but indulging in a fantasy that real people did not create those things. Whether it is clothing or cars or food, we would much rather purchase and enjoy the end product guilt-free than contemplate the journey from field or mine to factory to storefront that a product must take. In doing so, we can overlook the human element of global capitalism—especially human suffering. Maybe we take it a step further by patting ourselves on the back for ‘supporting livelihoods’ overseas. Accompanying this belief is the attitude of TINA: “There Is No Alternative.” When we as consumers choose to believe that “there is no alternative” for the people producing our goods, we can excuse human rights violations, environmental devastation, and other associated problems because—well duh, what other choice do those people have? But what happens when we confront someone who believes this with, Well, aren’t we complicit in a system that has eliminated alternatives? We can’t abstract ourselves as individuals from these complex and interconnected systems in which we participate—and, frequently, which we benefit from. We must acknowledge that our choices as consumers has the power to perpetuate or alter these systems.
As can be seen from this brief overview of a few of these major themes, the scope of the film is daunting. In its attempt to be accessible by not getting too deep with any one topic, The True Cost touches upon a variety of interconnected issues only superficially. This ends up becoming a core critique from film reviewers, such as Vanessa Friedman. In her New York Times review, she wrote of The True Cost’s director Andrew Morgan, “it’s hard not to feel in the end that he was overwhelmed by the scale of the problem. In trying to do everything, he skirted a lot of things, including acknowledging the shades of gray in this subject.”
Another shortcoming of this film is that it is not explicit enough in stating the disproportionate effect of exploitative industries like fast fashion on people of colour, most of all people of colour in the ‘Global South.’ To put it into perspective, (particularly white) Western consumers are exempt of accountability for their part in exploiting the time, health, and labor of people of colour in ‘distant lands.’ So while I commend the film for putting women of colour’s voices and experiences front and center, it cheats its own argument by shying away from the ways in which gender, race, and nationality play into global capitalism’s systemic violence. The film also does not in any way note how global capitalism is in part an expression of Western colonialism and imperialism, and how people of colour (especially women) continue to suffer the greatest burden of this legacy.
Finally, although there is some discussion of disability and mental health throughout the documentary, this is done without exploration of the experiences of people who are multiply marginalized. That is, the film’s creators do not flesh out the ramifications of living and working within an oppressive system that contributes to mental and physical disabilities disproportionately in communities of colour and in the ‘Global South.’ And where women of colour are place front and center to tell their own stories in their own voices, disabled people are not afforded this treatment. Rather, they are featured more as props backgrounding the ‘horrible’ stories of environmental contamination explicated by the director/narrator.
The Bottom Line
Nevertheless, for people who have never met a garment factory worker (let alone are friends with any), The True Cost may bring the human element of exploitative industries, like fast fashion, to the fore of their consciousness. Maybe they will start to pay more attention to workers’ struggles around the globe, including in places like Cambodia and Bangladesh. Maybe it will start to sink in how these systems do much for the West at the expense of the Global South, especially women of colour. Maybe they will start to see how our decision-making processes impact the direction industries take, and thus how we need to take responsibility for those decisions and their effects on our fellow Earthlings.
This documentary is best for people with limited knowledge of the themes it discusses, as it provides some solid, entry-level information. It’s a great starting point for getting a big-picture grasp of the abusive nature of global capitalism. From there, hopefully viewers will continue to more deeply educate themselves on these issues.
Here is some literature that might prove helpful for such continuing education on global capitalism, the interconnectedness of its systems, and how this impacts all of us:
- The Vandana Shiva Reader by Vandana Shiva
- Ecofeminism by Maria Mies and Vandana Shiva
- Clothing Poverty: The Hidden World of Fast Fashion and Second-hand Clothes by Andrew Brooks
- To Die For: Is Fashion Wearing Out the World? by Lucy Siegle
- The Omnivore’s Dilemma by Michael Pollan
- When the Rivers Run Dry by Fred Pearce
- The Shock Doctrine by Naomi Klein
- Profit Over People: Neoliberalism and Global Order by Noam Chomsky
And for those specifically interested in “buying better,” check out this page on the film’s site.
There has been quite a bit of discussion around whether it is appropriate to speculate about whether Donald Trump has a mental illness. The rhetoric and armchair diagnosis of Trump is already happening and it’s important to look at the arguments for why people are doing that and perhaps more importantly whether people should. I […]
Jessica Wolfendale (co-editor of Fashion: Philosophy for Everyone) is currently completing an article on sexual modesty. Her most recent article, “Provocative Dress and Sexual Responsibility,” is forthcoming in the Georgetown Journal of Gender and the Law. and now she’s just published a piece on being “dangerously provocative” here.
The provocatively dressed woman is dangerous. She is disruptive; a distraction and a temptation. She can lead good men to thoughts of infidelity; she can distract men and boys from the important tasks of work and education. The dangers posed by the provocatively dressed woman mean that she must be monitored and controlled. Girls must be forbidden from wearing provocative clothing to school, so that they don’t distract boys. As a principal of a Canadian High School wrote in a letter to parents: “Girls wearing short skirts should think about how they sit and what is revealed when…
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A guest blog post by Helen Spandler and Meg-John Barker With the recent emergence of Mad Studies we thought it timely to explore some connections with Queer studies – another critical field of enquiry. We wanted to examine their similarities and differences; any points of tension; and what each could learn from the other. Helen […]
The NWSA Executive Committee sent the following letter by email to its members earlier today. It does a good job (especially the third paragraph) of showing how different forms of violence and seemingly disparate attacks, though not to be conflated, are interconnected through broader cultural currents.
Dear NWSA members,
As members of the Executive Committee, we write to express our collective outrage over the attack at Orlando’s Pulse nightclub during its Latinx-themed night. We recognize this heinous act for the hate crime it is against LGBTQ people, people of color, and those who live at the intersection of these communities. In this difficult time, we urge our community of scholars, educators, and activists to draw on the insights of feminist/anti-racist/queer activists and thinkers to address hatred and violence, imagine alternatives to domination, and foster community.
We draw on an intersectional political framework to call for the collective liberation of all. Given that systemic racism, misogyny, ableism, colonialism, and homophobia are deeply interconnected, we condemn the Islamophobia that has emerged in the wake of the attack and urge you, our members, to find ways to contest the widespread culture of violence that surrounds us, including histories of violence against queer and trans people of color. This culture of domination is local and global, intimate and structural, and is pervasive. It includes: harassment and discrimination; gender violence, rape culture, and murder; the criminalization of divergent lives/bodies/loves and the violence of the carceral state; silencing, dispossession, and erasure; eugenic and genocidal practices; colonial gendered violence against Indigenous people; and militarization and war.
Diverse forms of brutality must be understood as distinct and yet interconnected. It is essential to think through how the Pulse nightclub shooting, the church shootings in Charleston, the murder of Indigenous women in Canada, and the murder of transgender sex workers in Brazil and elsewhere are interrelated without collapsing the important differences in each of these, and many other, contexts. This is by no means an exhaustive list, but one that should highlight the role we all can play in refusing and resisting a culture of violence wherever we find it.
In this time of mourning and remembrance, we call on you, our NWSA members, to confront domination, intolerance, and hatred—in the intimacies of everyday life and on a wider, macro-political scale. We also underscore the importance of supporting each other and being mindful of the impact of myriad violences on ourselves, each other, our students, and our scholarship. Though the work at hand may be difficult, our collective labors to understand how systems of oppression are interlaced and must be thought through and addressed together are pivotal and deeply relevant.
Vivian M. May, President
Nana Osei-Kofi, Vice President
Diane Harriford, Treasurer
Carrie Baker, Secretary
“The process is rather like the cement used to make walls: something is set before it hardens. Perhaps when people notice the complexity, the movement, the inefficiency, the disorganisation, they do not notice the cement; how things hold together; that things hold together. Then when you say there is a pattern you are heard as paranoid as if you are imagining that all this complexity derives from a singular point.”
“Sexual harassment works – as does bullying more generally – by increasing the costs of fighting against something, making it easier to accept something than to struggle against something, even if that acceptance is itself how you end up being diminished; how you end up taking up less and less space.”
“It is happening all around you; and yet people seem to be getting on with it; you can end up doubting yourself; estranged from yourself. Maybe then you try not to have a problem. But you are left with a sickening feeling. A feminist gut knows something is amiss.”
“ I have used the terms “critical sexism” and “critical racism” to describe this: the sexism and racism reproduced by those who think of themselves as too critical to be sexist or racist. There is more to it. Many academics who identify as progressive or radicals, position themselves as working against the institution, against the requirements, say, of audit culture, and managerialism. Then how quickly: equality as such becomes identified as the requirements of a managerial system, that is, as a way of managing unruly bodies and desires. Noncompliance with equality even becomes articulated as political rebellion. For example one academic describes the “strictures on sexual harassment” as an “old Victorian moral panic.” Feminism becomes translated as moralism; those who challenge sexual harassment are understood as imposing moral norms and social restrictions on otherwise “free radicals.” So much harassment is reproduced by the framing of the language of harassment as what is imposed on a situation (as if to use this word is to be mean, to deprive a body of its pleasures).”
“Sexual harassment as a system cannot be separated from the ongoing problem of how a privileged few reproduce a world around their bodies.”
Read the full post: Sexual Harassment