Stranger Things: More normal than you’d think.

I’ve been trying to write some kind of review on Stranger Things for a while now, but every time I sit down to do it, I find I just don’t have the energy.

So here goes. Really gonna try this time. Definitely gonna contain plot spoilers. This is probably best read after you’ve seen all eight episodes.

There’s about a million reviews on Stranger Things out there, the vast majority of them are full of positive hype, much of which the show deserves. If you like a nostalgic retro-feel 1980s homage, this is your jam. It’s Super 8 meets Stand by Me meets ET meets The Goonies, complete with an awesome soundtrack, solid casting, and an engaging (albeit not terribly original) plot. And it’s creepy. I’ve been craving a creepy show, and it’s been hard to find one that isn’t one rung down from torture porn (Hemlock Grove, what a crushing disappointment).

However.

Stranger Things has some major shortcomings that made it cringingly hard to watch at times. As happens with most things I watch/read, at one point I said aloud, “If they kill Barb, I’m gonna stop watching this.” Obviously I didn’t. :P But that I found myself saying that at all points to ST‘s first major weakness: predictability.

ST is at its heart a reverential throwback, playing on all manner of (especially Spielberg-esque) 1980s movie tropes, which as The Atlantic‘s Lenika Cruz points out, is both good and bad. The nostalgic ambience makes for an immersive environment, on the one hand. But on the other, the temptation to fall back on, er, other historically relevant tropes certainly makes the show less relatable for some of us.

I wasn’t upset that they killed Barb because I believe characters should never be expendable. Rather because from the moment she appeared on screen, she is immediately recognizable as precisely the kind of character deemed expendable in 80s cinema, as well as the present: nerdy, not conventionally attractive, peripheral, marginal. All things that I (and many other people who don’t generally see themselves represented in media) can connect with. And all things that, in combination with being feminine, female-bodied, and/or a woman, can be lethal for a character. The giveaway for me was the short hair. “This girl’s a goner,” I thought. Man, I hate being right.

It isn’t merely that characters like Barb are pathetic tagalongs, tripping up the much more glamorous adventures of their more conventionally attractive (in all its senses) counterparts– in this case, Nancy. And it isn’t that they rarely-if-ever are the hero protagonists. It’s that they have to die. In Barb’s case, a gruesome on-screen death. “Unnecessary” doesn’t begin to describe it. The creators, the Duffer Brothers, felt the need to dismember Barb and then later show us her rotting body to reinforce this violence.

“But but but,” I can hear the refutations of the DnD ST fandom begin, “the four heroes of the story are nerdy, not conventionally attractive, marginalized characters. They’re always getting beat up by bullies, their only ally at school is the science teacher.” That’s wonderful. I’m glad the nerds/misfits/outcasts get to be heroes for once (except that this is arguably another 80s trope– à la Goonies, Weird Science, Bill & Ted). But all those heroes have something in common: they’re (cis)boys. Barb can’t be a hero, or even a hero tagalong, and in fact it’s okay to disembowel her– ’cause she’s a girl. It’s pretty straightforward misogyny, really.

“But but but,” another refutation may start, “what do you call Eleven, if not a hero? And she’s a girl.” Sadly, the most interesting character in the story becomes a martyr for the boy-heroes, but not before they play out their heteronormative fantasies playing dress-up doll with her. Cruz’s review is a very solid description of ST‘s failures when it comes to El’s plotline, so I won’t reiterate them here.

I suppose some might try to raise Nancy as a girl-hero, but whatever character growth she accomplishes is certainly dampened by her choice to stick with her abusive boyfriend. To be fair, her alternate love interest is also her stalker at one point, so…

At the end of the day, it’s the Duffer Brothers who mold the girl/feminine/female-bodied characters on the show and choose their fate. The Duffer Brothers play out their fantasies (and the fantasies of countless [especially nerd] boys) in ST, through boy and girl characters alike– oh, and it is really that binary. Friendships, adventures, romances, and heroism all revolve around the boy characters.

I had other issues with ST, including the treatment of madness, single motherhood, and the show’s overwhelming whiteness. It’s not perfect, but Stranger Things is entertaining, and a wonderful fantasy, especially if you’re a cishet boy. Who knows, maybe Season Two will have something for the rest of us.

Reblog: Dangerously Provocative

Feminist Philosophers

Jessica Wolfendale (co-editor of Fashion: Philosophy for Everyone)  is currently completing an article on sexual modesty. Her most recent article, “Provocative Dress and Sexual Responsibility,” is forthcoming in the Georgetown Journal of Gender and the Law. and now she’s just published a piece on being “dangerously provocative” here.

The provocatively dressed woman is dangerous. She is disruptive; a distraction and a temptation. She can lead good men to thoughts of infidelity; she can distract men and boys from the important tasks of work and education. The dangers posed by the provocatively dressed woman mean that she must be monitored and controlled. Girls must be forbidden from wearing provocative clothing to school, so that they don’t distract boys.[2] As a principal of a Canadian High School wrote in a letter to parents: “Girls wearing short skirts should think about how they sit and what is revealed when…

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Rape, and love.

I’ve been reading a lot about rape, as I try to finish my thesis, which deals with sexual violence as well as institutional violence. I’ve listened to and read a lot of survivors’ accounts of these types of violence. It’s too much at times, because this is how I spend my academic life, my intellectual life, but it’s also on the news all the time. It’s in songs, in movies, on TV, in teen fiction, in casual jokes and everyday conversation, in political discussions.

There was a time not so long ago (2008, 2009) where I would’ve been astounded and pleased to see nation-wide media discussions about sexual violence. So much changed in the time I was gone. It still blows my mind that we are including things like bystander intervention training in college freshman orientations, or that the FBI updated its definition of consent to condemn sexual acts against an unconscious or drugged person as rape. This seems like massive progressive. Seems like we’re headed in the right direction. Then why the fuck am I filled with anxiety, why am I drawn tight like a bowstring whenever sexual violence arises as a topic of conversation, a court case, a news story, a song lyric, a painted subject. Is it just because I’ve experienced it? Is it just PTSD, blah-dee-blah? Something tells me otherwise.

At certain times in the history of feminist theory and activism, some feminists have voiced the opinion that rape is a crime of violence, only, not a crime of sex. Susan Brownmiller has been cited as supporting a view of rape as a being about violence, not sex (see Cahill 2001, 16-28). While I was a SAC advocate and crisis counselor at the Listening Ear, I shared this view of rape. “It’s not about sex,” so the line goes, “it’s about power and domination.” Of course, this is coming from people who either cannot fathom an association between power, domination, violence, and sexual arousal, or who cannot admit to themselves that for many people, such a connection exists.

There are many people who associate violence, sex, and power. Sometimes this is enjoyable, and sometimes it is born of traumatic experience—undoubtedly sometimes it’s both. Many kinksters who associate pain and pleasure, and who derive enjoyment and arousal from playing with power dynamics. However, kinky sex is not rape, due to the fact that communication, consent, and mutual enjoyment are the central tenets of BDSM and fetish practitioners. Rape happens when genuine consent is absent, whether when a person says no, when a person is silent, or when a person feels that they cannot say no (e.g. because they are being coerced, threatened with the end of a relationship, etc.).

Something that strikes me is that among all these discussions of the relationship between violence, rape, and sex, something that never seems to come is the subject of love. Now, we know that the vast majority of rapes are perpetrated by people known to their victims. In fact, they are often the closest people to us. They are our friends, our parents, our pastors, our teachers, our siblings, our neighbors, our lovers, our partners. They are people for whom we often feel a great deal of trust…and love. This doesn’t strike me as coincidental. It is the people whom we love the most that can often get away with doing the worst kinds of things to us, because we cannot admit to ourselves, let alone anyone else (e.g. a court of law), that they would do something to us that contradicts our understanding of their love for us. This seems to cross boundaries of all kinds of love. The love felt between parents and children, teachers and students, spouses, siblings, and so on—these are all very different kinds of love. But it seems to me that all of these kinds of love (perhaps all kinds of love) are founded upon trust.

This is what makes rape so devastating. It is a violation of bodily autonomy, it is a violation of the mind, and it is a violation of trust and love. Even where trust is broke, even again and again, love remains… Maybe it gets chipped away, maybe it wears like beaches shaped by waves, maybe it erodes into nothing, over time. But when it comes to the people we love most, we will suffer the worst kinds of betrayals, even more than once. We tell ourselves whatever is necessary to endure this kind of abuse: we put the people we love before ourselves, that is what true love is; we keep faith in them even when they fuck up, because love conquers all, and through love they will change and improve; love doesn’t always come easy, sometimes it requires work, maybe it even requires sacrifice; we can’t betray love, even when the people we love betray us.

I feel compelled to say something that I have suspected before, that makes my stomach turn and that I know the thought of which makes many people feel ill. Rape and love are connected. I won’t claim to understand their relationship. Either rape and love are connected (hence why it is most often the people we love who perpetrate our rapes), or we do not yet understand rape, or love. Quite possibly I think it is both. I suspect that until we better understand both rape and love, sexual violence will always be a normative aspect of our culture. Even as we say, “Rape has nothing to do with sex, rape has nothing to do with love,” we lie to ourselves that our rapists—our parents, our pastors, our best friends, our partners—love us. Maybe it is not a lie… Maybe they do love us. Maybe we do love them. Then we’ve got it wrong… Rape and love have something to do with each other. It seems fucked up, it seems unimaginable. But we also say that rape, itself, seems unimaginable. We say bizarre things about rape: “I’d rather die than be raped”; “I’d kill anyone who raped you/me.” We say sensical things about rape: “I can’t believe that person committed rape”; “I don’t understand how that person could have rape their best friend/spouse/child/classmate.” All of these utterances seem to me to indicate a serious lack of understanding about rape, but also love.

Something that we fail to talk about and to really seek to understand are the motivations of rapists. We pass them off as deviants, as psychos, as one-offs, as aberrations, as monsters under the bed, as strangers in the shadows. When it’s the people we love who fit this description, it’s like they become unknown, unknowable to us. It stops making sense. Our relationship stops making sense. Love stops making sense. Our bodies stop making sense. Our will stops making sense. It’s unfathomable, it goes against everything our culture has taught us about love, it goes against everything we feel and understand about love, about relationships, about ourselves, about the people we love. This isn’t how it’s supposed to work, it doesn’t make any sense. It’s incoherent, it’s like living in a horrific faerieland where nothing makes sense, nothing ever coheres.

It makes no sense to me whatsoever that a person whom I love and trusted very much raped me repeatedly. They made me feel like I was wrong for refusing them. They made me feel that I was saying “I don’t love you” whenever I said no. They made me feel that I was hurting them by saying no. They made me feel that they had a right to my body—more than that, they had a right to my bodymind and they had a right to believe I enjoyed it. Eventually I ran away from them because I felt like I was going to die—on some level I believed that it was me, or the relationship. One of us was going to end. I had come to believe that it was my destiny to kill myself, and that I wasn’t deserving of love, and I believed everyone who made me feel that my partner was ‘putting up with me’ and that I was abusing them. Probably most of those people had no idea what my partner did to me for more than two years. Sure, a lot of them knew that that person had jerked me around and gone out on me, had manipulated me and lied to me and so on and so forth. All part of the game that is college relationships, I suppose. But they didn’t know that my partner would touch me against my wishes, even in public places, like work. My partner wasn’t afraid of consequences, I think; I suspect that they felt they were in the right. They made me afraid to be alone at work with them. They made me afraid to walk up the stairs first. Eventually I couldn’t let anyone walk up a flight upstairs behind me, because I’d start having a panic attack. Of course, I wouldn’t figure out for a long time that that’s what they were.

Despite all this, I loved my partner so much, I couldn’t imagine my life without them. They were so smart and considerate and creative and funny and good-looking, they were going places, they had a good head on their shoulders, they were kind, everyone said so. Many people said I was lucky to be with them. I believed this. But in order to keep my partner happy, I had to do what they asked. If that was holding hands, or kissing, or letting them touch me, or having sex, then that’s what had to happen. It took almost four years for me to figure out that all of that was wrong, was not my fault, and the sex we had wasn’t ‘sex’, it was rape.

The part that is now very difficult for me to get my head around is that that person thinks they didn’t do anything wrong. No, scratch that, I can get my head around that. We live in a culture that tells some groups of people they’re better than other groups, that they are entitled to things from groups which are beneath them. Shrug. I can understand that. I read books and shit. What I can’t understand is how that person can live with themself, because they work in a place that is directly involved in people’s sexual health. What makes them think that they have even a modicum of understanding about sexual health? They made me feel that there was something wrong with me, with my body, when I didn’t enjoy having sex with them. Having sex you don’t enjoy over and over again—this is the opposite of healthy.

Writing helps… I’m feeling a bit better for having written this. Writing is a Lens of Clarity in faerieland. Maybe now I can get back to my thesis…

Safety Tips for Sophia Katz

Reblogged from the Belle Jar.

The Belle Jar

Trigger warning for rape

When my grandmother was eighteen and freshly out of high school, she got a job doing clerical work at Pier 21 in Halifax. Pier 21 was the landing spot and first point of contact for those immigrating to Canada across the Atlantic ocean, and my grandmother helped process paperwork. She loved her job. She especially loved learning people’s stories, poring over their forms and finding out where they came from, what their children’s names were, and what possessions they’d chosen to bring with them all the way to this strange new country. You can tell a lot about a person and their priorities, apparently, based on what stuff they believe is worth hauling across the cold, grey Atlantic.

My grandmother was only able to work at Pier 21 for a few months, though, because it was just too exhausting for her father. Why? Well, because her shift ended…

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What I’m Owed.

Most of what I want to say about this has been said elsewhere.

For some background, see Jezebel‘s video post, the supposed “last video” of the killer. Be warned, it’s…not very exciting. Sounds like a badly scripted Josh Trank film. It’s so utterly mundane that it pisses you off. Only a rich, passing-for-white American male thinks it’s okay to shoot people after not getting what he wants. And possibly fascist dictators. :D

Also see:

Daily Life:

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The New Statesmen: “Capitalism commodifies that rage [regarding the conviction that men have been denied a birthright of easy power], monetises it, disseminates it through handbooks and forums and crass mainstream pornography. It does not occur to these men that women might have experienced these very human things, too, because it does not occur to them that women are human, not really…As soon as women began to speak about the massacre, a curious thing happened. Men all over the world – not all men, but enough men – began to push back, to demand that we qualify our anger and mitigate our fear.”

What I disagree with…:We have seen incontrovertible evidence of real people being shot and killed in the name of that ideology, by a young man barely out of childhood himself who had been seduced into a disturbing cult of woman-hatred. Elliot Rodger was a victim – but not for the reasons he believed.” No. This isn’t a cult. This is a widespread culture of hatred which is openly tolerated, accepted and defended by “normal” people. I know them. You know them. As an example, if you have ever felt that sex was owed to you, you are one of them. This isn’t some bizarre deviance, this is our culture, people. Next time you hear your friend, your parents, your siblings, your teachers or coaches say something racist or sexist or dehumanizing, call them out. At the risk of losing a lot of face and getting called a hypocrite (which we are) and being really unpopular, call them out and don’t let them get away with it. Call out hatred where you see it. You can do it in a loving way. But do not “lovingly” let it go like it’s not your problem.

What really disturbs me having watched “Elliot Rodger’s Final Video” is not how deviant and aberrant he seems, but how much he reminds me of boys and men that I know. It’s not scary because it’s so random and crazy, but because it’s so sickeningly normal. This particular dude is only special because he was materially and ethnically “privileged” enough to kill as many people as he did before killing himself. If you have even the tiniest suspicion that I am talking about you, then you should be disturbed (and I probably am).

But hold up a second. Do I think that people who are angry and outcast and lonely do not deserve to be empathized with? No. In fact, if our society weren’t so cripplingly patriarchal, there is a chance that empathy could have saved the day. There is a chance that by being listened to, the killer might have learned how to listen to others, women in particular, and see them as human with problems and feelings like his own. The suppression of emotions as feminine and negative is a big contributing factor to the mental health problems experienced by a disturbingly large proportion of Americans, which no one seems to want to talk about.

The last thing I want to say….

People. A lot of women like sex. They really really want to have sex. So do a lot of queer people. If you ever feel entitled to sex, stop for ten seconds and think about aaaaaaaaaaalll the other people out there who want sex, too, and aren’t having it. Think about how most people might feel real sorry for themselves but aren’t frequenting misogynist, racist forums to talk about it.

Think about how a feeling of self-entitlement can easily lead to a situation where you rape someone, as in you coerce someone or drug someone or physically use force against someone or pout until someone succumbs to what you want. If you ask once, twice, three times and they finally say yes, is that consent? Women and queer peeps might even feel as entitled to sex as men do. Don’t let this confuse you into think it is anything less than rape if it’s a women or a man or a queer person doing the coercing.

 

1 is 2 Many: A Step in the Right Direction

In the early 1990s, then-senator Joe Biden and a grassroots coalition of anti-rape advocates scripted the original Violence Against Women Act (VAWA), which was signed by Clinton in 1994. Despite significant Republican opposition (nothing changes, eh?), VAWA was reauthorized in 2013.

VAWA is significant in terms of the protection it offers sexual assault survivors. That’s right, our legal system is so messed up that sexual assault survivors need extra protection from it. :D The 2013 reauthorization also made special effort to extend protection to the queer community, Native Americans on reservations, and undocumented immigrants. This kind of legislation is essential to protecting survivors, but ultimately we also need to be working towards the prevention of sexual assault, as well.

The White House’s new PSA, 1 is 2 Many, is a step in the right direction in terms of prevention. Featuring Benecio Del Toro, Dulé Hill, Daniel Craig, Steve Carell, Seth Meyers, Joe Biden, and Barack Obama, the PSA discusses consent, victim blaming, and supporting survivors. They even daringly use the word ‘rape’. Pretty cool stuff, right?

Okay, you knew I was gonna be a downer… So here it is. The glaring issue with this PSA is the “if I saw it happening” part. This language makes sexual assault seem like something that we see others doing, not something that we do, ourselves. This has always been the problem with defining consent and talking about rape. It is not a surprise that people– men– are uncomfortable analyzing their behavior. They do not want to see themselves as rapists. They do not see their behavior as rape. Therefore, they do not want to define consent in a way that potentially frames them as rapists.

I can see a lot of people, a lot of boys and men, watching this PSA and pumping their fists and chest-bumping and being like “Yeah! I’m part of the solution!” and not stopping to think about what it means to hear a partner tell them no, or not be able to tell them no due to drug or alcohol consumption. Being told no is not often something for which we prepare men and boys, yet is an important part of consent in sexual relationships.

Also. Obviously a high proportion of rapes are committed by men, against women, but this does not exclude girls and women from taking responsibility in their own sexual relationships. Everyone needs to get consent from their partners. It should go without saying. The more I listen to girls and women talk about sex, the more I realize that a lot of them do not know what consent is or how to get it, either. Keep in mind that VAWA protects male survivors just as it does LGBTQ and female-identifying survivors.

All that being said, this PSA is still pretty bad-a and definitely a huge step in the right direction. Way to go, Joe Biden.

p.s. Tim Walberg and your fellow Republicans, you do not represent me and you do not deserve to hold your office!

 

Real Cannibals

The 1980 Italian film Cannibal Holocaust includes an extended rape scene in which two white Western men rape a young indigenous-Amazonian (Yanomamo) woman in a muddy field while their white Western female counterpart films them.

The film is supposed to be a commentary on the state of modern “civilization”, wherein wealthy, white privileged Westerners manipulate, abuse, and exploit the “uncivilized” of the so-called developing world/Third World/Global South/etc.

While the film fails on multiple levels to sincerely translate its theme of “who are the real savages, anyway?”, that scene has always stuck with me. Similarly in The Last King of Scotland, the terrifying Idi Amin calls out his Scottish physician as only having come to Africa “to fuck and to take away”.

The global hierarchy is sort of a large-scale parallel of the social human hierarchy composed of individuals. The patriarchal hierarchy tells us who is allowed to rape whom, and where, and when, and to what extent they can get away with it. In the global patriarchal scheme, the “West” is at the top of this hierarchy. America can rape nearly whoever it likes, whenever it likes, and never stand to account for its actions.

Why should I be surprised, then, when its individual parts, its people, behave the same way. White Westerns (men particularly) come to Southeast Asia feeling completely entitled to buy other human beings. They have little or no shame in it. They sit across from me at a hang bai (rice shop) eating their loc lac with one emotionally detached, casual arm draped over the shoulders of a girl half, a third their age. We can talk more about that girl later (a whole post unto herself, she is), but for now let’s look closer at that man.

He might be British, Australian, American, New Zealander, or from somewhere in Europe. He doesn’t need to be wealthy where he’s from; being white makes him wealthy enough here. He could be 20, or 40, or 75; it’s inconsequential in determining the age of the girls, boys, women he will purchase.

He probably feels like he’s doing nothing wrong (yeah, yeah, it’s a crime, it’s illegal, but he was driven to this!); he justifies to himself that “a man’s got needs” and he only flew halfway around the world to satisfy those needs because there wasn’t a cheaper, easier source accessible in his own country. Besides, the real perk of Cambodia is that being here makes him feel like a god. All the locals seem to revere his white skin, his pocketbook. He is taller, richer, whiter, smarter, better than everyone in this godforsakencountry.

He might not be a backpacker or a sex tourist. He might be a teacher at a nearby school. He might be in charge of classes of children aged 6 to 18. He might friend some of them on Facebook and meet some of them off school grounds, after school hours.

He might establish himself as a member of the community by marrying– purchasing– a Khmer woman (not legally, necessarily, but only ceremonially) and having children with her.

Taking a long, close look at this man helps me understand myself, my own hypocrisy. Our familiarity ends at the point where I realize we don’t deal in the same currency. This man, like the men in Cannibal Holocaust, see Cambodians (Africans, South Americans) as subhuman. They are purchasable, expendable, replaceable items. They are like animals. Sometimes I fixate on the way Khmer people occasionally treat me like an animal, like the Other, and the way they do it to other Cambodians. But in the hierarchical scheme of things, their Othering will never be as sinister, never as dehumanizing, and never inflict the same level of damage as That Man’s will. He has too much power to compare with them. He’s out of our league. He can get away with almost Anything.

And I’m making it a point to find a way to stop him.

Open Letter to My Rapist

 

My rapist.

It’s strange to use that possessive pronoun with a word like ‘rapist’, but that’s what you are. Perhaps you’re someone else’s rapist, too, but that doesn’t change the fact that I can still claim ownership over you– for something no one wants, which is still mine.

I listen to a cheerful song as I write this, so I don’t tear the skin off my lips in anxious anger (yet I still do). As I reflect on our relationship, which I have rarely done in the past three years, I realize there are really only two things which I will always hold against you. There are other things for which I hate you, but I imagine some day I’ll get over them. All things save two.

We had Spanish together my junior year, your senior year. It wasn’t planned, it just ended up like that. Inevitably at some point we were put in a group together for a project, which thrilled me at the time. I was also excited about the project, itself– creating a Spanish menu– because it involved creativity and the chance to draw, which you knew I liked. But when we distributed the workload, you alloted yourself nearly all the artwork. When I expressed that I wanted to draw, too, you told me I wasn’t as good as you, and because I foolishly worshiped you, a stone idol, I agreed. On the day we were to submit our projects, I felt a bit resentful; I saw your sketches of paella and tortilla de papas, and thought I could have done as well. I was always small to you. I was never as good as you.

Then came the day, not long after the Spanish project, that we were watching a movie in the basement of my house. My home. My parents were outside, in the barn or the garden, maybe. Giving us mistrustful privacy.

For months you had been telling me that we should have sex, because “people who love each other should give everything to each other” and, well, we were going to get married anyway, weren’t we? Yet I steadfastly resisted: my position was that sex was reserved for marriage, which at the time I was resolutely convinced was God’s Will– a god, as it turns out, who does not exist.

On this day you were going on about something like that, we should share everything with each other, don’t you love me, if you loved me you’d have sex with me, blah blah blah. I wasn’t really listening because I already knew what my answer was. I already felt a terrible anxiety about the state of my virginity (how much could you kiss someone before you lost your virginity? Did making out count as sex? What about hand jobs?), so it was easy, simple, for me to say “no”. I couldn’t believe you’d even consider it– weren’t you worried that we were already going to hell?

You said, then, that you wanted to know “what it feels like”, meaning my vagina. You said you wanted to touch it. I lost my patience. If we weren’t already fallen from God’s grace, we surely were now. Or at least you were. I got up to leave, exasperated.

I never could have guessed, would have allowed myself to believe, what you would do next.

You grabbed my arm, which didn’t immediately alarm me until I tried to pull away. When you didn’t let go, I felt a deep, primal urge to dig my nails into your face, your eyes, but I rationally resisted the impulse: why would I do such a thing to someone I loved? But you did not let go. Your hand was like a vice grip, likely the outcome of all that baseball you played, all that sculpting of clay you did. You pulled me down to the carpet and knelt on top of me in one smooth, swift movement, almost as if it was practiced. As I look back at myself then, I appear as a small animal, a young child, pathetically weak, with huge, round eyes brimming with the realizations of fear. My little animal brain hadn’t caught up to reality yet, not even as you forced your hand down the front of my jeans (How did you do that? I pondered vaguely; I had thought the waistband of my jeans would prevent such a thing from happening, it was much too tight, wasn’t it?), and your digits into my vagina. Strange pain. Blink, blink. It must have been less than ten seconds, but I remember thinking then that it had lasted much longer. I finally registered how strong you were and felt shocked that you’d used it against me, and how heavy your knees were as they pinned my arms down, like a straight jacket. Then you were talking about me, about my body, as you still had your fingers inside me, like a scientist describing matter-of-factly a newly discovered landscape (words like “soft” and an exclamation of “Wow!”, when remembered still make me want to throw up). You felt around in me as though I were an inanimate object, a garbage disposal into which something had fallen and caused a jam. I noticed how itchy the carpet was.

And then you got off me. I just laid there at first, my arms still at my sides. I felt nothing, I couldn’t describe how I felt. You noticed my blank face and suddenly all your joy was gone. You seemed instantly, intensely apologetic– “I’m sorry, I’m so sorry, I’ll never do that again”– but in retrospect I imagine you were terrified I’d tell someone. I got up and your I’m-sorry-so-sorrys followed me to the stairs where, one step ahead of you, I turned around and looked down at you and I said– I don’t fucking remember what I said, something like “You will never do that again,” something which I would not say now.

So let me tell you what I would say now.

What you did to me the State of Michigan defines as Criminal Sexual Misconduct of the First Degree according to Chapter 76 (Rape), Section 750.520b. Being that you used force, and that your actions resulted in physical pain and mental anguish, it was a felony.

But let’s face it. Even had I filed a police report, and even if that report had been examined by the DA and taken to court, you would have easily escaped punishment. Rich all-star travel team white Christian boys do not go to jail for sticking their hands where they don’t belong.

So what I’m left with is this.

That to you, I was a gutter clogged with rain-soggy, rotting leaves. A skinny, dirty glass in the sink, that you can’t quite reach the bottom of with a sponge. A pencil that has rolled off the table and under a couch, and now you’re on your knees reaching, reaching for it.

You talked about me in the third person. “Hello, I’M RIGHT FUCKING HERE. I can hear you,” I should have said. You talked about me in the fucking third person, like you were having a nice little chat with yourself. Let me try that for a moment:

“He is a despicable, abhorrent, perverse, loathesome creature.” “A violator, to be sure. A fascist, a betrayer of human rights.” “He must have turned out like his dad.”

Do I find it as satisfying as you did? You thought me cold all those years you tried to talk to me, and I wrote you back with words of venom. You forfeited your right to my kindness when you assumed your desires trumped my bodily autonomy.

You are a violator of space. You put your hands where they didn’t belong. You did things which you can’t take back. Maybe there are people in the world who love you and deeply care about you. That is entirely inconsequential to me, whom you betrayed, in my own home. My home. You will always be a selfish, pathetic 19 year old jerk, in my mind.

Understand this: I will never forget, and you best hope you never meet me on the street, for I will greet you loudly and clearly with your most enduring title:

“Hello, rapist.”

Who Writes the Rules

Who decides what the rules are when it comes to gender and sex?

The short answer is, the People at the Top. You may not be surprised to discovered that, in patriarchal cultures (which describes most cultures), this is men. We can be more specific, however: bottom-to-top position in this hierarchy is determined by many things, and the closer one gets to the top, the richer, more educated, and lighter-skinned these men get. Upon discovering that the People at the Top are predominantly wealthy, white, Western males, understanding gendered rules and expectations becomes a lot easier. Patriarchal hierarchies of dominance vary from place to place (and even time to time), but the patterns of wealth, education, skin colour, ability, age, sexual orientation, and so on are fairly consistent.

As many people have discussed, not only in terms of gender but also in terms of race and other categories, the People at the Top do not actively and consciously determine and define gendered rules, necessarily; rather, it is largely through their mere existence as Normal and Best (or Default, as some say– I like that) that definitions of other persons are shaped relative to them. Male equals normal, female equals abnormal or deviant; male equals default, female equals Other.

That’s the short answer, but it’s not whole answer. The more accurate, complete, and much longer answer is: everybody. We all decide what gendered rules and expectations will be, by following them. And perhaps even more importantly, by punishing those who deviate. It comes so naturally to us it seems biologically innate to call the boy in your eighth grade class who was caught wearing toe nail polish a fag. Hatred and fear of deviance, however, is not innate; it is learned. We are taught early and often that deviation is bad, most appreciably by being punished, ourselves. Normal/good little boys do not play with dolls; they pretend to shoot each other. Normal/good little girls do not pretend to shoot each other; they sweetly and passively care for their dolls. Full-grown men do not cry. Full-grown women do not have double mastectomies. Et cetera. This is reinforced to us all our lives. We witness what happens to those who deviate, and we learn to participate in their persecution, be it in the comments section of Youtube or NPR, or on sports teams, or in ballet class, or in our classrooms, or within our own families (this is often referred to as gender policing). If you are not doing the persecuting, chances are you might be persecuted– so which side would you want to be on? This is the question faced by every single person who lives within the confines of patriarchal culture.

The next time you hear someone tell a young man “boys don’t cry” (or “you throw like a girl”, or whatever), call to mind the question: Who decides what the rules are when it comes to gender and sex? You do. Either through your inaction or by validating that young man’s feelings, you are helping to decide what the rules are.

In order to contemplate the rules and think about how you’d like them defined, they first have to be recognizable. For most people, gender rules are normative and it would never occur to them to question them. Those who do are said to be “challenging Nature” and pushing “unnatural ideas”. Challenging our conceptions of “natural” is a good place to start.

A Blog of Ire and Spite

There are many reasons why ‘feminism’ is a dirty word, not the least of which is when certain people who personify feminism’s opposition call themselves feminists (e.g. racist Camille Paglia, victim-blaming Naomi Wolf, etc.) Now George R.R. Martin, author of the wildly popular Song of Fire and Ice medieval fantasy books-turned-HBO-series, joins the ranks of pop feminists. He kindly defines for us what his feminism is:

“To me being a feminist is about treating men and women the same,” Martin is quoted as saying in this Telegraph article. “I regard men and women as all human – yes there are differences, but many of those differences are created by the culture that we live in, whether it’s the medieval culture of Westeros, or 21st century western culture.”

Of course, I am dissatisfied by so many definitions of feminism nowadays, so I shouldn’t be too harsh. But by his own definition, Martin’s literary works are surely not feminist.

While Martin’s Song of Fire and Ice female characters are arguably more three-dimensional than most other fantasy of the same ilk, I find their stereotyped natures tiring. Cersei is the seductive slut; Arya is the tomboy; Catelyn Stark is the steadfast mother and wife; Sansa is the sweet and innocent princess in need of rescue; blah blah blah. Predictable, and therefore reliable. To some degree this can’t be avoided, right? Fiction, especially fantasy, functions at least partially on the familiar, shared assumptions (read: stereotypes) about kinds of people to anchor us while guiding us through a fantastic and impossible story. Besides, not all of Martin’s female characters have been created from drab stereotypes (Brienne of Tarth, for example).

No, what truly bothers me about Martin’s comment about feminism, and the serious slack cut him by supposedly feminist bloggers, is his constant depiction of rape, domestic violence, and other forms of sexual violence as attractive, arousing, enjoyable. This is where Martin gives himself away: a feminist does not depict rape as sexy and enjoyable.

Why stop at sexual violence. Martin glorifies battle and the taking of lives throughout the series, a huge portion of which is devoted to high-def, graphic scenes of beheadings, disembowelments, torture, and other “glorious” aspects of war and the violent societies in which the story takes place. The content is patriarchal, and is consumed largely by a patriarchal audience (men and women alike). War is cool, rape is sexy, same old, same old. To his credit (?), Martin makes lame attempts to suggest that war isn’t all cool: look, you could get your sword hand cut off, and then no one will want to fuck you– least of all your sister. Wow, is that the best he can do? Can we drop the feminist act now?

And besides, there is a whole realm of racism in A Song of Fire and Ice that we haven’t even touched on yet. Highly illuminating read on that topic here!

Whatever the case, I (mostly) enjoyed reading these books. I even (mostly) enjoyed the one or two episodes of the HBO series I’ve seen. I don’t think there is anything wrong with enjoying works of fiction that are inherently racist, sexist, classist, and so on (unless it’s for those aspects that we enjoy it, of course)– but that we like or enjoy something should not stop us from critiquing it. Or from calling out its makers when they say shit like, “Ima feminist LOL.”

Fantasy doesn’t have to show rape as sexy, or war and killing as glorious. It doesn’t have to paint all the people white or all the heroes male, though it is true that you will sell more novels if you do these things. But if you choose to do so, as an author, then you have forfeited the right to call yourself feminist. As readers, we have the right to read what we enjoy, but I think we also have a responsibility to question that literature, even literature we praise. When useful criticism like this happens, valuable conversations can take place about issues that matter IRL (that’s IN REAL LIFE for you non-nerds out there, though sometimes I think nerds forget IRL exists).

Let’s also not forget that there is really great fantasy and science fiction out there which questions, analyzes, deconstructs, and parodies gender, race, class, age, ability, and so on, and dreams up whole new ways of conceptualizing these things. A Song of Fire and Ice is not the end-all, be-all of fantasy literature, and even if it were, that shouldn’t stop us from questioning it, taking it apart, and assessing it from different points of view.

Now I’d better get a head start on the Martin fans; I hear them trying to break down the door as I write!